"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pinta genérica, de esas típicas fantasías infantiles post-Harry Potter, veremos.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Tal vez en esa época las comparaciones con el Drácula de Coppola fueron odiosas. Para mí un film que gana en cada revisionado. Y algún elemento que me pareció dudoso en su día, cada vez me parece más una muy interesante variación de la idea original ya recogida en el libro.Spoiler:
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Yo tengo bastante interés en este proyecto, el teaser trailer me ha gustado (y Branagh nunca me ha fallado). Espero empezar a leer el primer libro de la saga durante las navidades.
Lo de TOP venia por lo de ver la película por quien la dirige, a mi eso solo me pasa con muy pocos directores, entre los que están...Malick, Johnnie To, Fincher, Villeneuve, Wong Kar-wai...
Sobre la película, sin haberla visto, huele a kilómetros a producto de encargo de Major para estirar el chicle de las Potter, etc...
Por cierto a mi Animales Fantásticos me parece un subproducto, que tenga 2 o 3 escenas impactantes a nivel visual ( gracias al CGI) me la trae al pairo.
Yo lei el primer libro hace ya bastante y no em gustó demasiado, diria que lo tienen bastante complicado además. Ya ahí el chaval protagonista era bastante aborrecibible, una especie de anti-heroe "cool" de metodos cuestionables, que siempre habla como si fuese superior a todos los que le rodean. Es algo que en cine suele quedar fatal, aunque el "mundo" puede tener cierto interes, al estar mas basado en el entorno de criminales, policias y demás...
Yo estoy peleado con Branagh desde hace ya demasiados años y no me gusta nada su excesiva forma de dirigir. Creo que desde Hamlet en el 96, y lo peor de todo es que ya previamente no me habia gustado su Frankenstein para lo "clásico" que se supone que es, cada vez que adapta un libro que me gusta (mas allá de Shakespeare), acaba por no gustarme las decisiones que toma.
Nueva información de la película y entrevista a Kenneth Branagh de cuando los medios acudieron de visita al set de rodaje
Kenneth Branagh Tells Us How He Made Artemis Fowl His Own
From the Set: Kenneth Branagh on Bringing Artemis Fowl to Life
Judi Dench como la comandante de la policía de las hadas en Artemis Fowl
Disney's Artemis Fowl reveals first look at Judi Dench as Commander Root
Disney ha decidido retrasar el estreno al año que viene
nueva fecha: 29 de mayo 2020
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Patrick Doyle:
What can we anticipate from you next? Can you share anything about your score for Disney's upcoming fantasy adventure film, Artemis Fowl?
I’m busy with Ken for the next two years! We’re doing Death on the Nile and yes, Artemis Fowl. It is a great big action movie — fantasy adventure with a very contemporary sounding score. Without a doubt, it has a strong Celtic feel to it, considering much of the film takes place in Ireland. I haven’t written it yet, so I’m merely imagining. I haven’t had detailed discussions with the filmmakers yet, but I can imagine those qualities. It’s truly an incredible world. I would love to say much more about it, but then I’d spoil it.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Nuevo foto, desde un calendario promocional Disney con sus estrenos para este año
Este chico, el Branagh, tiene una carrera prometedora por delante.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Uh, armadura gruesa. Per aún falta para que el Batmóvil eche a andar....un par de semanas al menos.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Nuevo trailer
Y requeteconfirmado que el trabajo de Doyle lo editara Walt Disney Records