https://www.hollywoodreporter.com/tv...es-1235095576/
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Versión para imprimir
Parece que los guiones ya están listos y se empezará la producción el año que viene
https://www.scified.com/u/Screenshot...34_Twitter.jpg
Así lo cuenta un periodista que estuvo con un ejecutivo de FX en un evento de la Television Critics Association
La serie de 'Alien' en Disney+ muestra varios artes y detalles de su trama
Parece que cogerá el testigo de las dos primeras películas.
https://vandal.elespanol.com/noticia...es-de-su-trama
Puede estar bien, por argumento promete. En vivo a ver qué nos encontramos. Imagino que tirarán mucho por el tema blablabla entre corporaciones para abaratar presupuesto, pero si se hace bien puede quedar algo muy majo
Detalles de la trama.
https://vandal.elespanol.com/noticia...es-de-su-trama
Sobre el papel pinta bien, aceptando que la cosa va menos sobre el xenomorfo y más sobre las megacorporaciones que lo buscan. Tampoco me preocupan las posibles roturas de canon, a estas alturas ya es bastante enrevesado.
Lo único que me chirría un poco es que hablen de un "futuro cercano", prefiero mi Alien retrofuturista. Espero que esta Tierra no sea demasiado reconocible.
Se rumorea que la serie podría desarrollar y dar seguimiento a las ideas presentadas por Scott en Prometheus y Covenant ...
¡¡Fichajazo!!
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Nuevas declaraciones de Noah Hawley
https://www.slashfilm.com/1432075/al...eys-tv-series/
Parece que se va a 2025...
https://www.thewrap.com/alien-noah-h...indow-2025-fx/
Timothy Olyphant se une al reparto de 'Alien', la serie de Noah Hawley para FX
Info: https://www.ecartelera.com/noticias/...wley-fx-75517/
:globito 🤠
Sí a Raylan in space.
(Noticia de Romulus)
Nuevas declaraciones de Hawley.
Esto se pone cada vez mejor.
Noah Hawley Explains Why ‘Prometheus’ Isn’t “Useful” for His ‘Alien’ Prequel
Fuente:Cita:
“The thing with Alien is that it’s not just a great monster movie. It’s the story of humanity trapped between its primordial parasitic past and its AI future, and they’re both trying to kill us. So, there’s nowhere to go. It’s really a story of does humanity deserve to survive? Does humanity’s arrogance in thinking that we’re no longer food and its arrogance in creating these AI beings who we think will do what we tell them — but ultimately might lose their mind — is there a way out?”
“There’s a moment in the second film [1986’s Aliens] where Sigourney Weaver says, ‘I don’t know which species is worse — you don’t see them screwing each other over for a percentage.’ I think there’s something really intriguing about exploring humanity in all its goods and evils and then trying to recreate for an audience those feelings you had in watching those first two films — which isn’t easy in a franchise that has had four subsequent films and another film coming out soon [Alien: Romulus], but I think I have some tricks up my sleeve.”
Deggans asked Hawley if he’s using the backstory provided in Scott’s more recent Alien prequel films — 2012’s Prometheus and 2017’s Alien: Covenant — which take place closer in the franchise’s timeline to Hawley’s own show than those first two movies. The films introduced a controversial backstory whereby the aliens were manufactured as a bioweapon by a mysterious race dubbed The Engineers.
“Ridley and I have talked about this — and many, many elements of the show,” Hawley says. “For me, and for a lot of people, this ‘perfect life form’ — as it was described in the first film — is the product of millions of years of evolution that created this creature that may have existed for a million years out there in space. The idea that, on some level, it was a bioweapon created half an hour ago, that’s just inherently less useful to me. And in terms of the mythology, what’s scary about this monster, is that when you look at those first two movies, you have this retro-futuristic technology. You have giant computer monitors, these weird keyboards … You have to make a choice. Am I doing that? Because in the prequels, Ridley made the technology thousands of years more advanced than the technology of Alien, which is supposed to take place in those movies’ future. There’s something about that that doesn’t really compute for me. I prefer the retro-futurism of the first two films. And so that’s the choice I’ve made — there’s no holograms. The convenience of that beautiful Apple store technology is not available to me.”
https://www.hollywoodreporter.com/mo...fx-1235787276/